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“Ultra-high carbon steels and high-tin bronzes: Insights into mechanical properties and processing from Indian traditional knowledge”. In ICSMA-16, 16th International Conference on Strength of Materials, ICSMA-16, 16th International Conference on Strength of Materials, , 57. http://eprints.nias.res.in/550/.. 2012.
“Carving a global icon: The Nataraja bronze and Commaraswamy's legacy”. In Asian art and culture: A research volume in honour of Ananda Coomaraswamy, Asian art and culture: A research volume in honour of Ananda Coomaraswamy, . Colombo: Department of Information, Government of Sri Lanka, 245–256. http://eprints.nias.res.in/354/.. 2012.
“South Indian Iron Age iron and high carbon steel: with reference to Kadebakele and comparative insights from Mel-siruvalur”. In Metallurgy and Civilisation: Eurasia and Beyond, Metallurgy and Civilisation: Eurasia and Beyond, . London: Archetype Books, 116–122. http://eprints.nias.res.in/326/.. 2009.
“Iconographic trends in Rama worship: Insights from techno-cultural studies of bronzes”. In Conference on ‘The Ramayana in Literature, Society and the Arts. February 1-2, 2013. pp. 345-62 , Conference on ‘The Ramayana in Literature, Society and the Arts. February 1-2, 2013. pp. 345-62 , Chennai: CP Ramaswamy Aiyar Institute of Indological Research.. 2014.
“Vijayanagara Era Narasimha Bronzes and Sculpture: Digital Iconometry”. In Digital Hampi: Preserving Indian Cultural Heritage, Digital Hampi: Preserving Indian Cultural Heritage, Singapore: Springer. https://link.springer.com/book/10.1007%2F978-981-10-5738-0.. 2017.
“Metallurgy of zine, high-tin bronze and gold in Indian antiquity: Methodological aspects”. Indian Journal of History of Science 51(1): 22-32. http://eprints.nias.res.in/1082/.. 2016.
“Nataraja and cosmic space: Nature and culture intertwinings in the early Tamil tradition”. In Nature and Culture, Nature and Culture, . New Delhi: PHISPC and CSC, 271–288. http://eprints.nias.res.in/259/.. 2011.
“On Higher Carbon and Crucible Steels in Southern India: Further Insights from Mel-siruvalur, Kodumanal and Pattinam”. Indian Journal of History of Science 42: 673–695. http://eprints.nias.res.in/328/.. 2007.
“From Temple to Mantelpiece: Changing Paradigms in the Art and Craft of South Indian Metal Icons”. In Traditional Arts of South Asia: Continuity in Contemporary Practice and Patronage. , Traditional Arts of South Asia: Continuity in Contemporary Practice and Patronage. , London, UK: Saffron Books,, 124-148. http://eprints.nias.res.in/1184/.. 2015.
“Metallurgy and mankind in Southeast Asia's past ”. In 15th International Conference of the European Association of Southeast Asian Archaeologists, 15th International Conference of the European Association of Southeast Asian Archaeologists, Université Paris Ouest Nanterre la Défense. http://eprints.nias.res.in/1052/.. 2015.
“Megalithic and surviving binary high-tin bronze traditions in southern India: Tracing binary bronze usage to Harappan times”. Transactions of the Indian Institute of Metals, 66(5-6): 731-737.. 2013.
“The Nataraja bronze: Insights on art, technology and philosophy”. In Indian Art and Religion: An Interactive Approach, 21st Session of Indian Art History Congress, Indian Art and Religion: An Interactive Approach, 21st Session of Indian Art History Congress, , 113. http://eprints.nias.res.in/551/.. 2012.
“Dating the Nataraja dance icon: Technical insights”. Marg-A Magazine of the Arts 52: 54–69. http://eprints.nias.res.in/331/.. 2001.
Chola and Vijayangara Bronzes: Archaeometallurgical mapping of shifting iconographies. Banaras: Dept of History of Art Faculty of Arts, Banaras Hindu University.. 2017. 2nd Dr. Frank E. Chookolingo and Evamaria E. Chookolingo Memorial Lecture
“Wrought and quenched, and cast high-tin bronzes to Kerala State, India”. The Journal of the Historical Metallurgy Society 29: 69–87. http://eprints.nias.res.in/608/.. 1995.
“Social History of Indian metalcrafts: Some archaeometallurgical and ethnoarchaeological insights”. In A Social History of Early India, A Social History of Early India, . New Delhi: Pearson and Longman, 251–268. http://eprints.nias.res.in/330/.. 2009.
“Early Gold Mining and Jewellery: Some Insights from the Nilgiris, Tamil Nadu and Karnataka”. SAARC Culture 6: 88-103.. 2018.
“Copper Smelting Slags at Ingaldhal Mines, Karnataka: Early Historic Satavahana Links”. Transactions of the Indian Institute of Metals 70(2): 541-546. https://link.springer.com/article/10.1007%2Fs12666-016-1013-6.. 2017.
“Swamimalai bronze casting: Chola traditions and changing parameters”. Camp - ISIJ 25: 816–820. http://eprints.nias.res.in/591/.. 2012.
India's legendary wootz steel: An advanced material of the ancient world. Hyderabad: University Press. http://eprints.nias.res.in/651/.. 2014.
“Shiva as 'cosmic dancer':on Pallava origins of the Nataraja bronze.”. World Archaeology 36: 432–450. http://eprints.nias.res.in/238/.. 2004.
“Jain bronzes in Karnataka: some art historical and technical aspects”. IUP Journal of History and Culture 5: 2–9. http://eprints.nias.res.in/244/.. 2011.
“Art and Science of Chola Bronzes”. Orientations 37(8): 46-55.. 2006.