Found 57 results
Filters: Author is Sharada Srinivasan [Clear All Filters]
“Metal Mirror Marvel of Aranmula”. In Sahapedia online cultural encyclopeadia, Sahapedia online cultural encyclopeadia, Sahapedia online cultural encyclopeadia. https://www.sahapedia.org/metal-mirror-marvel-aranmula.. 2021.
“Megalithic high-tin bronzes and India's living prehistory”. In 50 years of Southeast Asian Archaeology: Essays in honour of Ian Glover, 50 years of Southeast Asian Archaeology: Essays in honour of Ian Glover, . Bangkok: River Books, 239–271. http://eprints.nias.res.in/282/.. 2010.
“Megalithic and surviving binary high-tin bronze traditions in southern India: Tracing binary bronze usage to Harappan times”. Transactions of the Indian Institute of Metals, 66(5-6): 731-737.. 2013.
“Megalithic and continuing peninsular high-tin binary bronzes: Possible roots in Harappan binary bronze usage?”. Transactions of the Indian Institute of Metals 66: 731–737. http://eprints.nias.res.in/604/.. 2013.
“Locating iron production sites in Telangana, India using satellite imagery”. Current Science 111(9): 1536-1543. http://www.currentscience.ac.in/Volumes/111/09/1536.pdf.. 2016.
“Key metals and alloys in Indian and South Indian antiquity: An archaeometallurgical overview”. Advances in Construction Materials and Systems: Proceedings of an International Conference (ICACMS), September 3-8, 2017 1: 99-112.. 2017.
“Jain bronzes in Karnataka: some art historical and technical aspects”. IUP Journal of History and Culture 5: 2–9. http://eprints.nias.res.in/244/.. 2011.
“Iron Age Beta (23% tin) Bronze: Peninsular Indian Bowls of Adichanallur, Nilgiris and Boregaon”. Materials and Manufacturing Processes. https://www.tandfonline.com/doi/full/10.1080/10426914.2016.1244843?fbclid=IwAR0NBah_CdZ3bixAzQ3jCv5W85qp_Twf5c1eXoly_ugTeIRLjUAzKzB7kqo&journalCode=lmmp20&scroll=top&needAccess=true.. 2017.
India's legendary wootz steel: an advanced material of the ancient world. Bangalore: NIAS and IISc. http://eprints.nias.res.in/46/.. 2004.
India's legendary wootz steel: An advanced material of the ancient world. Hyderabad: University Press. http://eprints.nias.res.in/651/.. 2014.
“Indian iron and steel, with special reference to southern India”. In The World of Iron, The World of Iron, . London: Archetype Publications, 83–90. http://eprints.nias.res.in/606/.. 2013.
“Indian High-Tin Bronzes and the Grecian and Persian World”. Indian Journal of History of Science 51(4): 601-612. http://insa.nic.in/writereaddata/UpLoadedFiles/IJHS/Vol51_4_2016_Art07.pdf.. 2016.
Indian Bronze: Ecstasy of Classical Art. New Delhi: National Museum.. 2016.
“Iconographic trends in Rama worship: Insights from techno-cultural studies of bronzes”. In Conference on ‘The Ramayana in Literature, Society and the Arts. February 1-2, 2013. pp. 345-62 , Conference on ‘The Ramayana in Literature, Society and the Arts. February 1-2, 2013. pp. 345-62 , Chennai: CP Ramaswamy Aiyar Institute of Indological Research.. 2014.
“High-tin bronze bowl making in Kerala, South India, and its archaeological implications”. In South Asian Archaeology 1993: Proceedings of the Twelfth International Conference of the European Association of South Asian Archaeologists held in Helsinki University 5-9 July 1993, South Asian Archaeology 1993: Proceedings of the Twelfth International Conference of the European Association of South Asian Archaeologists held in Helsinki University 5-9 July 1993, . Helsinki: SuomalainenTiedeakatemia, 675–705. http://eprints.nias.res.in/607/.. 1994.
“On Higher Carbon and Crucible Steels in Southern India: Further Insights from Mel-siruvalur, Kodumanal and Pattinam”. Indian Journal of History of Science 42: 673–695. http://eprints.nias.res.in/328/.. 2007.
“Harappan continuity of high tin copper in South Asia”. In Science and metal technology of Harappans, Science and metal technology of Harappans, . New Delhi: Kaveri Books, 179–193. http://eprints.nias.res.in/603/.. 2012.
“From Temple to Mantelpiece: Changing Paradigms in the Art and Craft of South Indian Metal Icons”. In Traditional Arts of South Asia: Continuity in Contemporary Practice and Patronage. , Traditional Arts of South Asia: Continuity in Contemporary Practice and Patronage. , London, UK: Saffron Books,, 124-148. http://eprints.nias.res.in/1184/.. 2015.
“Early Gold Mining and Jewellery: Some Insights from the Nilgiris, Tamil Nadu and Karnataka”. SAARC Culture 6: 88-103.. 2018.
“Dating the Nataraja dance icon: Technical insights”. Marg-A Magazine of the Arts 52: 54–69. http://eprints.nias.res.in/331/.. 2001.
“Copper Smelting Slags at Ingaldhal Mines, Karnataka: Early Historic Satavahana Links”. Transactions of the Indian Institute of Metals 70(2): 541-546. https://link.springer.com/article/10.1007%2Fs12666-016-1013-6.. 2017.