Found 58 results
Filters: Author is Sharada Srinivasan [Clear All Filters]
“Locating iron production sites in Telangana, India using satellite imagery”. Current Science 111(9): 1536-1543. http://www.currentscience.ac.in/Volumes/111/09/1536.pdf.. 2016.
“Megalithic and continuing peninsular high-tin binary bronzes: Possible roots in Harappan binary bronze usage?”. Transactions of the Indian Institute of Metals 66: 731–737. http://eprints.nias.res.in/604/.. 2013.
“Megalithic and surviving binary high-tin bronze traditions in southern India: Tracing binary bronze usage to Harappan times”. Transactions of the Indian Institute of Metals, 66(5-6): 731-737.. 2013.
“Megalithic high-tin bronzes and India's living prehistory”. In 50 years of Southeast Asian Archaeology: Essays in honour of Ian Glover, 50 years of Southeast Asian Archaeology: Essays in honour of Ian Glover, . Bangkok: River Books, 239–271. http://eprints.nias.res.in/282/.. 2010.
“Metal Mirror Marvel of Aranmula”. In Sahapedia online cultural encyclopeadia, Sahapedia online cultural encyclopeadia, Sahapedia online cultural encyclopeadia. https://www.sahapedia.org/metal-mirror-marvel-aranmula.. 2021.
“Metallurgy of zine, high-tin bronze and gold in Indian antiquity: Methodological aspects”. Indian Journal of History of Science 51(1): 22-32. http://eprints.nias.res.in/1082/.. 2016.
“Mirrors: Metal mirrors from India”. In Encyclopedia of the History of Science, Technology and Medicine in Non-Western Cultures, 2nd ed., Encyclopedia of the History of Science, Technology and Medicine in Non-Western Cultures, 2nd ed., . New York: Springer Verlag, 1699 –1704. http://eprints.nias.res.in/327/.. 2008.
“Nataraja and cosmic space: Nature and culture intertwinings in the early Tamil tradition”. In Nature and Culture, Nature and Culture, . New Delhi: PHISPC and CSC, 271–288. http://eprints.nias.res.in/259/.. 2011.
“The Nataraja bronze: Insights on art, technology and philosophy”. In Indian Art and Religion: An Interactive Approach, 21st Session of Indian Art History Congress, Indian Art and Religion: An Interactive Approach, 21st Session of Indian Art History Congress, , 113. http://eprints.nias.res.in/551/.. 2012.
“Nataraja, Natesa and Orion: Archaeometallurgical and Archaeoastronomical insights into Dancing Siva Images”. In Iconography of the Hindus, Buddhists and Jains: Proceedings of the National Conference, Iconography of the Hindus, Buddhists and Jains: Proceedings of the National Conference, Chennai: C P R Publications, 265-285.. 2016.
“Northern Telangana, an Iron and Crucible Steel Production Landscape in India”. ISIJ International 54: 1030–1037. http://eprints.nias.res.in/638/.. 2014.
“Preliminary insights into the provenance of South Indian copper alloys and images using a holistic approach of comparisons of their lead isotopes and chemical composition with slags and ores”. In Metals in antiquity, Metals in antiquity, . Oxford: Archaeopress, 200–210. http://eprints.nias.res.in/605/.. 1999.
“Present and past of southern Indian crafts for making mirrors, lamps, bells, vessels, cymbals and gongs: links with prehistoric high tin bronzes from Mohenjodaro, Taxila, South Indian megaliths and later finds”. Journal of the Society for South Asian Studies 13: 209–225. http://eprints.nias.res.in/329/.. 1997.
“Ramayana bronzes from Chola to Vijayanagara times”. In The Multivalence of an Epic: Retelling the Ramayana in South India and Southeast Asia edited by Parul Pandya Dhar, The Multivalence of an Epic: Retelling the Ramayana in South India and Southeast Asia edited by Parul Pandya Dhar, Manipal: Manipal University Press. https://mup.manipal.edu/the-multivalence-of-an-epic-retelling-the-ramayana-in-south-india-and-southeast-asia-pre-order-now/.. 2021.
“Shiva as 'cosmic dancer':on Pallava origins of the Nataraja bronze.”. World Archaeology 36: 432–450. http://eprints.nias.res.in/238/.. 2004.
“Social History of Indian metalcrafts: Some archaeometallurgical and ethnoarchaeological insights”. In A Social History of Early India, A Social History of Early India, . New Delhi: Pearson and Longman, 251–268. http://eprints.nias.res.in/330/.. 2009.
“South Indian Iron Age iron and high carbon steel: with reference to Kadebakele and comparative insights from Mel-siruvalur”. In Metallurgy and Civilisation: Eurasia and Beyond, Metallurgy and Civilisation: Eurasia and Beyond, . London: Archetype Books, 116–122. http://eprints.nias.res.in/326/.. 2009.
“Swamimalai bronze casting: Chola traditions and changing parameters”. Camp - ISIJ 25: 816–820. http://eprints.nias.res.in/591/.. 2012.
“Tamil Chola Bronzes and Swamimalai Legacy: Metal Sources and Archaeotechnology”. The Journal of The Minerals, Metals and Materials Society (TMS) 68: 1-15. http://eprints.nias.res.in/1084/.. 2016.
“Techniques of Bronze Casting”. In Ecstacy of Classical Art: Indian Bronzes, Ecstacy of Classical Art: Indian Bronzes, New Delhi : National Museum Collection, National Museum, 20-36 .. 2016.