Publications
. 2022.
“Metal Mirror Marvel of Aranmula”. In Sahapedia online cultural encyclopeadia, Sahapedia online cultural encyclopeadia, Sahapedia online cultural encyclopeadia. https://www.sahapedia.org/metal-mirror-marvel-aranmula.
. 2021. “Ramayana bronzes from Chola to Vijayanagara times”. In The Multivalence of an Epic: Retelling the Ramayana in South India and Southeast Asia edited by Parul Pandya Dhar, The Multivalence of an Epic: Retelling the Ramayana in South India and Southeast Asia edited by Parul Pandya Dhar, Manipal: Manipal University Press. https://mup.manipal.edu/the-multivalence-of-an-epic-retelling-the-ramayana-in-south-india-and-southeast-asia-pre-order-now/.
. 2021. . 2020.
“Book Review of "Early Indian Metallurgy: The Production of Lead, Silver and Zinc through Three Millennia in North West India" by P T Craddock, K T M Hegde, L K Gurjar and L Willies. London: Archetype Publications Ltd, 2017”. 54(3): 376-378. https://insa.nic.in/writereaddata/UpLoadedFiles/IJHS/Vol54_3_2019__Art12.pdf.
. 2019. “Casting Nataraja: Techniques of South Indian Bronze Casting”. Bengaluru : NIAS.
. 2019. “Early Gold Mining and Jewellery: Some Insights from the Nilgiris, Tamil Nadu and Karnataka”. SAARC Culture 6: 88-103.
. 2018. “Traditional Techniques of Gold Jewellery: A Case Study of Devakottai,Tamil Nadu”. Journal of the Centre for Heritage Studies 1.
. 2018. Chola and Vijayangara Bronzes: Archaeometallurgical mapping of shifting iconographies. Banaras: Dept of History of Art Faculty of Arts, Banaras Hindu University.
. 2017. 2nd Dr. Frank E. Chookolingo and Evamaria E. Chookolingo Memorial Lecture “Copper Smelting Slags at Ingaldhal Mines, Karnataka: Early Historic Satavahana Links”. Transactions of the Indian Institute of Metals 70(2): 541-546. https://link.springer.com/article/10.1007%2Fs12666-016-1013-6.
. 2017. “Iron Age Beta (23% tin) Bronze: Peninsular Indian Bowls of Adichanallur, Nilgiris and Boregaon”. Materials and Manufacturing Processes. https://www.tandfonline.com/doi/full/10.1080/10426914.2016.1244843?fbclid=IwAR0NBah_CdZ3bixAzQ3jCv5W85qp_Twf5c1eXoly_ugTeIRLjUAzKzB7kqo&journalCode=lmmp20&scroll=top&needAccess=true.
. 2017. “Key metals and alloys in Indian and South Indian antiquity: An archaeometallurgical overview”. Advances in Construction Materials and Systems: Proceedings of an International Conference (ICACMS), September 3-8, 2017 1: 99-112.
. 2017. “Ultrahigh-carbon "wootz' from Crucible Carburization of Molten Iron: Hypereutectoid Steel from "Tamil Nadu Process" at Mel-siruvalur”. Materials and Manufacturing Processes.
. 2017. “Vijayanagara Era Narasimha Bronzes and Sculpture: Digital Iconometry”. In Digital Hampi: Preserving Indian Cultural Heritage, Digital Hampi: Preserving Indian Cultural Heritage, Singapore: Springer. https://link.springer.com/book/10.1007%2F978-981-10-5738-0.
. 2017. Indian Bronze: Ecstasy of Classical Art. New Delhi: National Museum.
. 2016. “Indian High-Tin Bronzes and the Grecian and Persian World”. Indian Journal of History of Science 51(4): 601-612. http://insa.nic.in/writereaddata/UpLoadedFiles/IJHS/Vol51_4_2016_Art07.pdf.
. 2016. “Locating iron production sites in Telangana, India using satellite imagery”. Current Science 111(9): 1536-1543. http://www.currentscience.ac.in/Volumes/111/09/1536.pdf.
. 2016. “Metallurgy of zine, high-tin bronze and gold in Indian antiquity: Methodological aspects”. Indian Journal of History of Science 51(1): 22-32. http://eprints.nias.res.in/1082/.
. 2016. “Nataraja, Natesa and Orion: Archaeometallurgical and Archaeoastronomical insights into Dancing Siva Images”. In Iconography of the Hindus, Buddhists and Jains: Proceedings of the National Conference, Iconography of the Hindus, Buddhists and Jains: Proceedings of the National Conference, Chennai: C P R Publications, 265-285.
. 2016. “Tamil Chola Bronzes and Swamimalai Legacy: Metal Sources and Archaeotechnology”. The Journal of The Minerals, Metals and Materials Society (TMS) 68: 1-15. http://eprints.nias.res.in/1084/.
. 2016. “Techniques of Bronze Casting”. In Ecstacy of Classical Art: Indian Bronzes, Ecstacy of Classical Art: Indian Bronzes, New Delhi : National Museum Collection, National Museum, 20-36 .
. 2016. “Bronze image casting in Tanjavur district, Tamil Nadu: Ethnoarchaeological and archaeometallurgical insights”. In Metals and Civilisations, Proceedings of the Seventh International Conference on the Beginning of the Use of Metals and Alloys, NIAS Special Publication No. SP7-2015, Metals and Civilisations, Proceedings of the Seventh International Conference on the Beginning of the Use of Metals and Alloys, NIAS Special Publication No. SP7-2015, Bengaluru : National Institute of Advanced Studies, 209-216.
. 2015. “From Temple to Mantelpiece: Changing Paradigms in the Art and Craft of South Indian Metal Icons”. In Traditional Arts of South Asia: Continuity in Contemporary Practice and Patronage. , Traditional Arts of South Asia: Continuity in Contemporary Practice and Patronage. , London, UK: Saffron Books,, 124-148. http://eprints.nias.res.in/1184/.
. 2015. . 2015. SP7-2015 BUMA
“Aesthetics and the foundations of science: Insights from Indian metallurgical traditions”. In Foundations of Scinces, Foundations of Scinces, . Delhi: Pearson, 209–254. http://eprints.nias.res.in/601/.
. 2014.