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Qualifications: Ph.D ( Institute of
Archaeology, Department of Conservation
and Material Sciences University College, University
of London, U.K., 1996)
Research interests:
Applications of scientific studies in art and archaeology,
archaeomaterials, archaeometallurgy, history of science and
classical Indian dance and performing arts, crafts documentation
Career:
B.Tech Engineering Physics, IIT, Mumbai;
1987
M.A. Art, Archaeology, and Archaeometallurgy,
School of Oriental and African Studies, London; 1988-89
Ph.D., Institute of Archaeology, University
College London, UK, supported bya British Council Chevening
Scholarship, entitled Enigma of the dancing pancha-loha (five-metalled
icons)-archaeometallurgical and art historicalinvestigations
on south Indian metal icons, and is the first and most comprehensive
to date on the technical finger-printing, for the purposes
of dating and stylistic authentication, of south Indian metal
icons (130) sampled from Victoria and Albert Museum, London,
British Museum, London and Government Museum, Chennai, using
methods including lead isotope analysis; 1990-96
Forbes Research Associate, Department of
Conservation and ScientificResearch, Freer Gallery of Art
and Arthur M. Sackler Galleries,Smithsonian Institution, Washington
D.C., 1999,
Homi Bhabha Fellow at Indian Institute of
Science, Bangalore; 1996-98
NIAS, Bangalore as an awardee under the DST-SERC Young
Scientists Scheme for 2001-2002.
Honours and Distinctions:
Fellow, Royal Asiatic Society, UK
Indian Institute of Metals, Certificate of Excellence 2007
Member, Board, Institute of Archaeometallurgical Studies,
Institute of Archaeology, London
· Materials Research Society of India (MRSI) Medal
2006
· Malti B. Nagar Ethnoarchaeology Award (2005)
DST Young Scientist Awardee
· MRS Graduate Student Award, Materials Research Society,
USA,1997
Homi Bhabha Fellow
British Chevening Scholar, British Council
· Flinders Petrie Prize and Medal from University of
London, 1989
UKIERI (UK-India) project; Lead researcher in project on
'Pioneering Metallurgy: Origins of steel making in the southern
Indian subcontinent' with Exeter University
Archaeoastronomy project of Centre for Basic Sciences, University
of Mumbai with co-investigator Mahank Vahia, TIFR
Department of Science and Technology, India (DST) Nurture
Scheme Awardee (2005-8)
Grant to study the metal technology of Harappan sites such
as Dholavira
India Foundation for Arts, Art Documentation Awardee (2004-6)
DST-SERC Young Scientist Awardee (2001-2003)
India-Sri Lanka Fund Awardee, New Delhi, 2001
Edwardo Waldo Forbes Fund Fellow, Dept. of Conservation &
Scientific Research,
Freer Gallery of Art, Smithsonian Institution, Washington
DC, USA (1999),
Homi Bhabha Research Fellow in Archaeometallurgy (1996-1998),
Department of Metallurgy, Indian Institute of Science, Bangalore,
India. Academic Visitor to UK and US in Oct.-Dec. 1998
Current Projects:
Ancient Harappan archaeometallurgy supported by DST-SERC
Analysis of metal artifacts excavated from megalithic site
of Kadebakele, by Univ of Michigan, Univ. of Chicago and Dept.
of Karnataka (EHLTC project)
Team member, collaborative international Sanganakallu-Kupgal
project of Cambridge University, Institute of Archaeology,
London and Dharwar University, Karnataka
Publications
Books
Srinivasan, S and Ranganathan, S. 2004. India's
legendary wootz steel: an advanced material of the ancient
world. Bangalore: NIAS and IISc.
Commissioned by India Foundation for the Arts
to write a book on Indian metal crafts.
Sharada Srinivasan, Karnataka, 2004, Arts Research and
Documentation.
'Textures of wootz: technocultural insights on steel, cast
iron and ferrous metals from south Indian antiquity' .
For
more details
Papers
Srinivasan, S. 2008. Mirrors: Metal mirrors from India. In
Selin H. (ed.): Encyclopedia of the History of Science, Technology
and Medicine in Non-Western Cultures, Springer Verlag
Srinivasan, S. 2008 Social History of Indian metalcrafts:
Some archaeometallurgical and ethnoarchaeological insights.
In: B.D. Chattopadhyay (ed.) A Social History of Early India,
Vol II, Part 5, PHISPC Series, Pearson and Longman, New Delhi,
251-69.
Srinivasan, S. 2007. 'On icons, vessels and mirrors from
South India: tracing early use of tin, zinc and high-tin bronze',
Traditions of Science: Cross-cultural perspectives. New Delhi:
Munshiram Manoharlal Publishers Pvt. Ltd, pp. 157-176.
Srinivasan, S. 2007, On higher carbon and crucible steels
in southern India: further insights from Mel-siruvalur, megalithic
Kodumanal and early historic Pattinam, Indian Journal of History
of Science, 42.4: 673-95.
Srinivasan, S. 2007, Cosmic Dance. India International Centre
Quarterly, Autumn 2007, 126-37.
Srinivasan S. and Glover, I. 2007. Skilled mirror craft of
intermetallic delta high-tin bronze (Cu31Sn8, 32.6% tin) from
Aranmula, Kerala. Current Science, 93, 1: 35-40.
Srinivasan, S. 2006. Art and Science of Chola Bronzes. Orientations
(Nov-Dec 2006 issue) coinciding with Royal Academy of Arts
exhibition of 'Chola: Sacred bronzes from southern India',
Nov-Dec, Vol. 37, 8, p. 46-55.
Srinivasan, S. 2006. Megalithic high-tin bronzes: ethnoarchaeological
and archaeometallurgical insights on manufacture and possible
artistic and musical significance. Man and Environment XXXI
(2): 1-8.
Srinivasan, S. 2006. Art and Archaeometallurgy of Nataraja:
Exploring visual metaphors for consciousness. In S. Menon
(ed.) Consciousness, Experience and Ways of Knowing: Perspectives
from Science, Philosophy and the Arts. Bangalore: National
Institute of Advanced Studies, pp. 242-254.
Srinivasan, S. and Ranganathan, S. 2006. A Tale of Wootz Steel.
Resonance- A Journal of Science Education, Vol. 11. No. 67-78.
Srinivasan, S. and Ranganathan, S. 2006. Nonferrous materials
heritage of mankind. Transactions of Indian Institute of Metals,
Vol. 59, 6, pp. 829-846.
Srinivasan, S. 2004. 'Siva as cosmic dancer: On Pallava origins
for the Nataraja bronze'. World Archaeology. Vol. 36(3): 432-450.
Special Issue on 'Archaeology of Hinduism.
Srinivasan, S. 2004. 'Chronology and metal sources of South
Indian metal icons', Archaeology as History: South Asia, ed.
H.P. Ray and C. Sinopoli. New Delhi: Indian Council for Historical
Research and Aryan Books International, pp. 219-257.
Srinivasan, S. 2004. 'The cosmic dance of Siva: an icon of
science and beyond.' In S. Menon, B.V. Sreekantan, A. Sinha,
P. Clayton and R. Narasimha (eds.) 'Science and Beyond'. Bangalore:
National Institute of Advanced Studies, pp. 98-105.
Srinivasan, S. 2001. Dating the Nataraja dance icon: technical
insights. Marg-A Magazine of the Arts 52(4): 54-70.
Srinivasan, S. 2001. An archaeometallurgical approach in
the finger-printing and stylistic authentication of South
Indian metal icons. Conservation of Cultural Property , New
Delhi.
Srinivasan, S. 1999. Lead isotope and trace element analysis
in the study of over a hundred South Indian metal icons. Archaeometry
41(1): 91-116.
Srinivasan, S. 1999. "Preliminary insights into provenance
of south Indian copper alloys and images using a holistic
approach of comparisons of their lead isotopes and chemical
composition with slags and ores", in Metals in Antiquity.
BAR International Series 792. Edited by S. Young, M. Pollard,
P. Budd and R. Ixer, pp. 200-11. Oxford: Archaeopress.
Srinivasan, S. 1998. "Highlights of ancient south Indian
metallurgy-technical evidence for the early use of high-tin
bronzes, high-carbon steel, metallic zinc, smelting of bronze
and cast images, Beginning of the Use of Metals and Alloy
(BUMA-IV), pp. 79-84. Matsue: Japan Institute of Metals.
Srinivasan, S. 1998. The use of tin and bronze in prehistoric
South Indian metallurgy. Journal of Metals, 50(7):44-7, 49.
-Srinivasan, S. 1998. "High-tin bronze working in India:
The bowl makers of Kerala", in Archaeometallurgy in India..
Edited by V. Tripathi, pp. 241-51. New Delhi: Sharda Publishing
Ltd.
-Srinivasan, S. and Glover, I. 1998. High-tin bronze mirrors
of Kerala, South India. IAMS Newsletter, 20: 15-7. London:
Institute of Archaeometallurgical Studies.
-Srinivasan, S. 1997. Present and past of southern Indian
crafts for making mirrors, lamps, bells, vessels, cymbals
and gongs: links with prehistoric high tin bronzes from Mohenjodaro,
Taxila, South Indian megaliths and later finds. Journal of
the Society for South Asian Studies 13. 1997: 209-25.
-Srinivasan, S. 1997. "The composition of bronze slags
from Kalyadi in South India, and the implications for the
problem of tin in South Indian antiquity", in Archaeological
Sciences 1995. Ed. A. Sinclair, E. Slater, and J. Gowlett,
pp.136-42. Oxford: Oxbow books.
-Srinivasan, S. and Glover I. 1997. "Archaeometallurgical
implications of new findings of traditional crafts of making
high-tin 'delta' bronze mirrors and 'beta' bronze vessels
in Kerala state of South India", in Materials Issues
in Art and Archaeology V, Edited by P. Vandivar, J, Druzik,
J. Merkel, and J. Stewart, pp. 81-105. Warrendale: Materials
Research Society.
-Srinivasan, S. and Griffiths, D. 1997. "Crucible steel
in South India: Preliminary investigations on crucibles from
some newly identified sites", in Material Issues in Art
and Archaeology-V. Ed. P. Vandivar, J, Druzik, J. Merkel,
and J. Stewart, pp. 111-27. Warrendale: Materials Research
Society.
-Srinivasan, S. and Ranganathan, S. 1997. "Wootz steel:
an advanced material of the ancient world", in Iron &
Steel Heritage of India. Ed. S. Ranganathan, pp. 69-82. Jamshedpur:
Indian Institute of Metals & Tata Steel. (http://metalrg.iisc.ernet.in/~wootz/heritage/WOOTZ.htm)
-Srinivasan, S and Glover, I. 1995. Wrought and quenched
and cast high-tin bronzes from Kerala state, southern India.
Part I. Contemporary manufacture, Part II. Scientific investigations,
Part III. Historical dimension. Journal of the Historical
Metallurgy Society, 29(2): 69-87.
-Srinivasan, S. and Ranganathan, S. 1997. "Metallurgical
Heritage of India",.in Golden Jubilee Souvenir, Indian
Institute of Science, pp. 29-36. Bangalore: Indian Institute
of Science.(http://144.16.66.221/dept/heritage/html)
-Srinivasan, S. 1994. "High-tin bronze bowl making from
Kerala, South India and its archaeological implications."
in South Asian Archaeology 1993. Ed. A. Parpola, A. and P.
Koskikallio, pp. 695-705. Helsinki: SuomalainenTiedeakatemia.
-Srinivasan, S. 1994. Wootz crucible steel: a newly discovered
production site in South India. Papers from the Institute
of Archaeology, 5: 49-61. London: University College London.
-Srinivasan, S. 1994. "Appendix III. Metallurgical investigations
on Late Roman copper and bronze coins from Karur and Madurai",
in Late Roman Copper Coins From South India: Karur and Madurai.
Edited by R. Krishnamurthy, pp. 121-33. Madras: Garnet Publications.
Publications in press/conference papers
-Srinivasan, S. 'Archaeometallurgical and astro-archaeological
insights on south Indian metal icons. Proceedings of the international
UNESCO conference on Science in Cultural Heritage, International
Centre for Theoretical Physics, Trieste
-Srinivasan, S. Aesthetics and the Foundations of Science:
Insights from Indian metallurgical traditions. In: B.V. Sreekantan,
(ed.) Foundations of Science. PHISPC series, Pearson &
Longman.
-Srinivasan, S. Dance as ritual in negotiations of inner
and outer space. 'Change and Stability in Rituals', Conference
of South Asia Institute, Heidelberg University & Max Mueller
Bhavan, New Delhi
-Srinivasan, S, Jain bronzes of Karnataka. Conference on
'Jainism in Karnataka', South Asia Institute, Heidelberg University
& National Institute of Advanced Studies, Bangalore.
-Srinivasan, S. 'From temple to mantelpiece: Changing paradigms
in the art and craft of south Indian bronzes', Traditional
Arts of South Asia. Ed. Crispin Branfoot, London: Saffron
Press.
-Srinivasan, S. 'Dialogue between science and religion: A
case study of the Hindu Nataraja bronze'. Ed. B.V. Subbarayappa
and J. Staune, Proceedings of the 22nd International History
of Science Congress. Chinese Academy of Sciences.
-Srinivasan, S., Sinopoli, C., Morrison, K., Gopal, K, Ranganathan,
S. 'Beginnings of the use of steel at the megalithic site
of Kadebakele (c. 800-400 BCE)'. Proceedings of the 6th International
Conference on the Beginning of the Use of Metals and Alloys,
Beijing.
-'Dholavira, Insights from metal analysis'. 19th International
Conference on South Asian Archaeology Conference, Ravenna,
Italy July 2007
-'Ancient Indian Metallurgy and Technology', Symposium on
Classical Indian Sciences, Poornapragnya Institute, Feb 2007
Selected invited lectures or conference papers (excluding
published conference papers)
· Skilled metal craft of delta bronze mirrors at Aranmula,
Kerala, University of Toyoma, Japan, Seminar on Heat-treatment
of high-tin bronzes, July 2008
· Indian Wootz steel, Centre de Recherche et de Restauration
des Musees de France, Paris, Feb 2007.
· 'Art & Science of Chola bronzes', Royal Asiatic
Society, London, Feb 6th coinciding with the exhibition 'Chola:
Sacred bronzes from southern India'
· 'South Indian bronzes: concepts of inner and outer
space', Indian Arts Circle, London, Jan 30
· 'Siva as Cosmic Dancer'. Royal Academy of Arts, London
coinciding with exhibition on 'Chola: Sacred bronzes from
Southern India', Jan 19th 2007
· 'Archaeometallurgical and archaeo-astronomical insights
on south Indian bronzes', International Workshop on Science
in Culture, sponsored by UNESCO, International Centre for
Theoretical Physics, Trieste, Italy, 23-28 Oct 2006
· 'Dance as ritual in negotiations of 'inner' and 'outer'
space: insights from prehistory to present day in south India'
Conference on Change and Stability in Rituals, Heidelberg
University, at Max Mueller Bhavan, New Delhi, 11-14th Oct
2006
· 'Preliminary investigations on Megalithic iron from
Kadebakele'. S. Srinivasan, C. Sinopoli, K. Morrison, Gopal,
S. Ranganathan, Conference on Beginning of Use of Metals and
Alloys, Beijing, Sept. 2006
· 'Dialogue between Science and Religion: A case study
of the Hindu Nataraja bronze'.
Paper presented at session on Dialogue between Science and
Religion at 22nd International Conference of History of Science,
Beijing, July 23-28 2005
· 'Investigating martial arts swords from Kerala' at
International conference on 'Metallurgy: A touchstone for
cross-cultural interactions' at British Museum, London, April
28-29, 2005
· 'Archaeometallurgy of bronzes from South India and
Sri Lanka' Uppsala University, Sweden, Nov 2002 as Visiting
Faculty, Dept. of Archaeology, Uppsala University.
· 'From temple to mantelpiece: changing paradigms in
the art and craft of south Indian metal icons'. International
conference on 'South Asian Arts: Past Practice, Living Traditions'
at PRASADA, De Montfort University, Leicester, UK, June 2002.
· Delegate at International Seminar on Proposed Asian
Institute of Museology and Culture in Development, organized
by UNESCO and Central Cultural fund, Sri Lanka, May 2002
· 'Image casting and high-tin bronze traditions in
south India', International conference on Metals in Antiquity:
Founders, Platers and Smiths at Oxford University (Sept. 1999)
· 'Ethnographic metal working in India', Archaeology
Dept., Univ. of Sheffield (Nov. 1999)
· 'Finger-printing south Indian images using lead isotope
analysis', at COST-G1 meeting on Ion Bean Analysis in Art
& Archaeology, European Commission & University of
Oxford, Nov. 1998
· 'High-tin beta bronze vessels and delta bronze mirrors
from southern India', at Dept. of Materials Science, Lehigh
University, USA, Oct. 1998.
· 'Aspects of continuity in copper-base metallurgy
from Indus Valley into present day", Conference on The
Present and Future of Indus Valley Archaeology, at University
of Wisconsin-Madison, 1998.
· 'Dating Chola bronzes', for International Music and
Arts Society, Bangalore (Mar. 2000).
· 'Authentication and finger-printing of metal artefacts'
at seminar on 'Authentification of Museum Artefacts' at National
Museum, New Delhi as part of Enduring Image exhibition from
British Museum, UK, Dec 1997.
· 'Archaeometallurgy of South Indian bronzes' at Nehru
Centre, London and Institute as part of seminars organized
by 'Festival of India's South' in UK, June 1996
· 'Crucible steel from South India' at Seminar on 'Early
Production of Steel', at Institute of Archaeology, University
College London (June 1996).
· 'High tin mirrors from Kerala', World Archaeology
Congress (WAC-3), New Delhi (1994)
· Srinivasan, Sharada & Sarma, Nataraj on 'History
of Measurement of Time in Bombay' for the Eighth International
Scientific Instrument Symposium of the Society for the History
and Philosophy of Science, London, at Burlington House, Society
for Antiquaries, 12-16, Sept. 1988
Bharata Natyam Dance Recitals cum Academic Lectures
The Art & Science of Chola Bronzes. Royal Asiatic Society,
London, 6th Feb 2007. Fulltext
Siva as cosmic dancer: Archaeometallurgical and astro-archaeological
studies on South Indian icon; Royal Academy of Arts, London,
Jan 2007, coinciding with the exhibition Chola: Sacred bronzes
from southern India Fulltext
Amidst the musical pillars of Hampi; Lecture-cum-Bharata
Natyam dance recital at Nehru Centre, London 2005
Review
Review of Dr. Sharada's lecture-cum classical dance performance
on 'Art & Science of Chola bronzes' at Royal Asiatic Society,
London coinciding with Royal Academy of Arts, London exhibition
on 'Chola: Sacred bronzes from southern India' by Jon Stock
(Editor, Weekend Telegraph, London): (April 1st 2007)
Video Links
You tube video on Casting Nataraja and Metal Images at Swamimalai,
Tanjavur district, Southern India, narrated by Dr. Sharada
Srinivasan and shot by Peter Vemming, Middelaldercentret,
Denmark
http://in.youtube.com/watch?v=Xrire4qPFpY
2. Entry for AAAS Science 2009 Phd dance contest; on Bharata
Natyam dance based interpretation of Dr, Sharada Srinivasan's
Phd thesis titled 'Archaeometallurgical and Art Historical
Investigations on South Indian metal icons: the enigma of
the dancing panchaloha metal icons' (1996), UCL, London, video
by Peter Vemming, Middelacentret, Denmark
http://in.youtube.com/watch?v=LsfQy_5uvnA
3. Video of Bharata Natyam dance performance by Dr. Sharada
Srinivasan of Mahadeva Shiva Shambho, at the event and
exhibition 'Cosmic Dance of Siva' at Alliance Francaise, Bangalore,
June 2008, video by Rakesh and Digvijay Mallah
http://in.youtube.com/watch?v=rpEeqWqYBi0
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